For creative professionals and digital photography or videography enthusiasts alike, LCD quality of the MacBook Pro is a huge consideration. Luckily, Apple delivers in this department.
Apple thankfully provides matte high resolution display options for both the 15” and 17” MacBook Pros. If you’re partial to glossy displays, there’s also a glossy high resolution display option available online, though it isn’t one of the SKUs that will be stocked in Apple retail stores - you’ll have to order it online.
Since many creative professionals likely will seek the matte option (and because it’s the only high resolution display option available in-store), we chose to do monitor profiling and analysis with this particular model. On the surface, very little has changed, the display itself still substitutes the black glass bezel for an aluminum one. The LCD sits inset from the aluminum bezel about a millimeter, diminishing the chances of your keyboard smudging and scratching up the display like what was so endemic with the pre-unibody design.
15-inch 2010 MacBook Pro 6,2 Core i7 | |||
Matte High Resolution Display Option | |||
Panel Type | TN (Samsung LTN154MT07) | ||
Pixel Pitch | 0.197mm | ||
Viewable Size | 15.4 diagonal | ||
Resolution | 1680 x 1050 (WSXGA+) | ||
Screen Treatment | Matte (anti-glare) |
The first thing that strikes you about the 2010 MacBook Pro LCD is how bright it is. As we’ll show in a minute, it’s the brightest LCD we’ve tested, thanks in part to its WLED backlighting. While the color gamut is only above average, Delta E tracking is also very good.
For these tests, we used ColorEyes Display Pro with an X-Rite Eye-One Display 2 colorimeter. I originally tested at maximum brightness, and then at precisely 200 nits of luminance. The black level down below is given at maximum brightness. Interestingly enough, Delta E tracking and color accuracy remains largely the same at both settings.
Another note I’ll leave you with is that although using a calibration tool is still an absolute must for the best monitor performance, Apple’s display profile that ships with OS X is surprisingly good. Out of box, the display’s white point was almost exactly 6500K, and the LUT curves subjectively nearly matched those that eventually resulted after calibration. Color tracking and Delta E weren’t good, but subjectively the display looked good.
The LED backlight Apple uses in the display still isn’t RGB LED, so color gamut isn’t anything spectacular, but it isn’t bad either. Performance is average, but what we get is both expected and pretty good for this class of LED backlit notebook displays.
Display uniformity is very good; there is virtually no distracting light leakage from any of the displays. In addition, black level is very good throughout. The viewing angles remain largely what you’d expect from any TN panel in its class. There isn’t an overwhelming amount of color shift when viewing the monitor at horizontal angles. Vertical is another story - there’s a tight range of vertical angles over which the color shift is negligible.
The performance we get with the MacBook Pro’s display is very good - but it still could be better. Among WLED backlit, TN packing notebook LCDs, it certainly shines out as one of the best options. That said, there’s no reason this “Pro” notebook shouldn’t see RGB LED backlighting and potentially even an IPS panel as options soon. Enthusiasts and professionals are more than willing to shell out the cash for large gamut LCDs on the desktop - why not on the notebook? It’s obvious that Apple isn’t averse to IPS panels, especially considering the iPad.
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